Born in State College, PA.
Lives and works in Los Angeles, CA.
EDUCATION
2007
BFA, California Institute of the Arts, Valencia, CA.
SOLO EXHIBITIONS
2017
Thaumaturgy, Denk Gallery, Los Angeles, CA.
The Fecund State, PØST, Los Angeles, CA.
2016
Solo Presentation, Zona MACO, Mexico City, Mexico.
2014
Numbers, Gallery Wendi Norris, San Francisco, CA.
2012
Spells, Spires and Other Delicate Business, Charlie James Gallery, Los Angeles, CA.
2004
31 Grand Gallery, New York City, NY.
2001
American Groupie, Bronwyn Keenan Gallery, New York City, NY.
2000
Bikers, Bronwyn Keenan Gallery, New York City, NY.
TWO PERSON EXHIBITION
2012
I’d Be Safe and Warm: Helen Rebekah Garber & Liat Yossifor, Royale Projects, Palm Springs, CA.
GROUP EXHIBITIONS
2017
All the Small Things, Steve Turner, Los Angeles, CA.
Twenty by Sixteen, Curated by Geoffrey Young, Morgan Lehman, New York, NY.
2015
Group Hang, Gallery Wendi Norris, San Francisco, CA.
Abstract Visions: Information Mapping from Mystic Diagrams to Data Visualizations, Curated by James MacDevitt, Cerritos College Art Gallery, Los Angeles, CA.
Cruising, Fifth Floor Gallery, Los Angeles, CA.
2014
Are Friends Electric? I, Fellows of Contemporary Art, Los Angeles, CA.
Are Friends Electric? II, Peggy Phelps/ East Gallery, Claremont, CA.
2013
The Familiar Unfamiliar, Wonder Valley, CA.
Forms of Abstraction, The Irvine Fine Arts Center, Irvine, CA.
Paradox Maintenance Technicians, The Torrance Art Museum, Torrance, CA.
2010-12
Incognito, Santa Monica Museum of Art, Los Angeles, CA.
2008
Land of Retinal Delights, Laguna Art Museum. Laguna, CA.
2006
Why Can’t We All Just Get Along?, Sara Tecchia Gallery, New York City, NY.
2004
SCOPE UK, London, England.
2001
Art Forum Berlin, Berlin, Germany.
2000
Women, Egnizio’s Project, New York City, NY.
SELECTED PRESS & REVIEWS
2016
The Creator Project, Vice Media, “From Abstract Icons to Metaphysical Glyphs | City of the Seekers”. Laden, Tanja M., November 23, 2016.
2015
Los Angeles Times, “Mark Grotjahn at Blum & Poe: A surfeit of inspirations”. Pagel, David, June 14, 2015.
South Bay Contemporary, “Abstract Visions: Information Mapping from Mystic Diagrams to Data Visualizations”. McDermott, James.
11/11: A journal of Literature and Art, California College of the Arts, Issue 19. Behm-Steinberg, Hugh.
2014
New American Paintings Blog, “Signifier and Signified: Helen Rebekah Garber at Gallery Wendi Norris”. Chavez, Matt Smith, December.
San Francisco Art Quarterly, “Helen Rebekah Garber: Numbers, Exhibition Review”. Lutz, Leora, December.
2012
Art Pulse, “Reviews,” Neel, Tucker, December.
Art Scene Magazine, “Art in Review,” Lasarow, Bill, December.
The Huffington Post, “Paint it White,” Bush, Bill, December.
2011
New American Paintings, #97, Pacific Coast Edition, December/January.
2010
Art ltd.,“Painters’ Painting,” Melrod, George, May.
2003
Elle Italia, Abrizi, Sophia, October
2002
The New York Times, “From Heavy Metal to High Society,” Front Page, Leland, John, June.
2001
The New York Times, “Art in Review,” Smith, Roberta, June.
2000
Time Out: New York, “Art in Review,” Hunt, David, April.
SPIN Magazine, “Runaway Success,” Halle, Howard, June.
Frankfurter Allgemeine Zeitung, “Boheme Schrag,” April.
Le Nouvel Observateur, “Les Enfants de Warhol,” Genies, Bernard, June.
1999
The New York Times, “Bad to the Bone, Formal to the Brush,” Moynihan, Colin, November.